![]() the fun factor goes up by a factor of at least ten! If you're in the mood for a bad sci-fi film from the 50's, give this one a try. It might be fun to sit around the living room and laugh at the campy dialogue and bad acting and VERY bad special effects with your friends, but to see it in a theater. You see, this is one of those movies that has to be enjoyed in a theater, with a LOT of people, for maximum funness. Thanks to Jeff Joseph of Sabucat Productions, I recently had the pleasure of seeing this film in all of its original polarized 3D glory at the Egyptian theater in Hollywood with 600 of my "closest friends"! -) (Sadly, though, while the presentation this time around was flawless, the print was in very poor condition, and it may not get too many more public performances - if ever again - which is a real shame. ![]()
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![]() ![]() ![]() The control strategy is tested in a real environment. We have carried out a large number of simulation experiments, and the error between the tracking of normal force and expected force is basically within ☐.5 N. ![]() We propose a constant force-tracking control method for dynamic environments and a modeling method that satisfies physical characteristics to simulate the dynamic breathing process and design an optimal reward function for the task of achieving efficient learning of the control strategy. Therefore, this paper investigates how to use deep reinforcement learning to solve dynamic medical auscultation tasks. Intelligent medical robots can effectively help doctors carry out a series of medical diagnoses and auxiliary treatments and alleviate the current shortage of social personnel. ![]() ![]() ![]() The only trouble is, Wormold wants a quiet life, drinking with his friend, Dr Hasselbacher, and keeping his high-maintenance daughter, Milly, happy (played by Campanale and Rosa Collier, respectively). What’s left is the backbone of the story, with its sleazy and dangerous Cuban policeman, Captain Segura (Tullio Campanale, utterly hilarious), plus uber-posh British agent, Hawthorne (Hamish Lloyd Barnes), recruiting our reluctant hero, vacuum salesman, Jim Wormold (a spirited Alex Holley). Some modern notes are thrown into the script for good measure (Wormold, worried about being poisoned, turns down food, claiming he’s a vegan and can only eat gluten-free). But this production is about 90% faithful, only trimming elements that can’t be squeezed into an hour, like explaining cipher codes. Here, the household prop, which is sold by a vacuum salesman turned accidental British spy, has as many ingenious uses as there are laughs in this comedy.Īs a Graham Greene fan, I had been prepared to encounter a play that drifted far from the text of his novel – something that several film and stage adaptations of Greene’s work have done. ![]() Have you ever seen a vacuum cleaner become a coat stand, a bar, a phone and a dog? All these are possible, and many more transformations too, in Our Man in Havana, by Spies Like Us. A real treat from a talented young cast this wouldn’t be out of place in the West End. Five actors bring Cuba and London to life with incredible comic timing and choreographed moves. ![]() ![]() ![]() Please be aware that the delivery time frame may vary according to the area of delivery and due to various reasons, the delivery may take longer than the original estimated timeframe.
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